The revolution will not be televised… but it will be at Cambridge Jazz Festival this upcoming weekend as Malik & the O.G.’s prepare a run of events at the festival celebrating the work of Gil Scott-Heron.
The upcoming appearance at Cambridge Jazz Festival include multiple seminars, talks and performance by Malik Al Nasir, showcasing why Gil Scott-Heron is still relevant to artists as well as social politics today.
Gil Scott-Herons most notable work comes in the form of “The Revolution Will Not Be Televised”, a spoken word track released in 1971 – it’s free form style and spoken-word, poetic approach to lyricism within music is an example of breaking down the wall between music and art, the song is not only musically but literarily insightful.
“The Revolution Will Not Be Televised” holds lyrical significance even by today’s musical standards, whilst contemporary lyricism is more explicit and straight forward. The message it gave was a public one and that if there was going to be a revolution within 1970s America is not going to be televised; it was going to stare you in the face and it was going to be real.
“The Revolution will be not be re-run, the revolution will be live.” Are the final words of the iconic track that Gil Scott-Heron is most notable for – it’s a message that still holds strong within the current socio-political climate within America.
Malik Al Nasir who was Gil Scott-Heron’s protégé is currently following in his footsteps, delivering a message that is direct, insightful as well as artistic.
Malik Al Nasir is a Guyanese activist, poet and filmmaker from Liverpool, following in his mentors footsteps; Malik’s work Malik discusses how colonialism and slavery destroys identity, he also establishes the significance of genealogy, anthropology and DNA as an insight into “who we actually are” as well celebrating our inherited roots and cultural identity without anyone else dictating otherwise – using his Guyanese roots as an example of claiming his heritage and being self-aware of one’s cultural inheritance.
“My own journey back to Guyana to re-connect with my South American roots, was actually both a quest for lost family ties and a search for historical truth. Discovering I had an indigenous Amerindian grandmother, further complicated an already convoluted sense of self and the discovery of my Scottish aristocratic slave-owner ancestry, will offer the basis of a paradigm shift in how we view Transatlantic slavery – as it was practiced in Demerera South America.”
Malik will also explore the significance of the “Black Arts Movement” in America and how he contributes to that via Gil Scott-Heron and the Last Poets – with his role as an activist in breaking down colonialism and its control over identity.
Malik will be running an “Artist as Activists seminar” at the University of Cambridge, Centre of Latin American studies at 5pm on the 17th of November. “The Revolution Will Be Live!” will take place on the 18th of November at 8:30pm, Cambridge Wine Merchants. Finally Classic Album Sundays event; a tribute to Gil Scott-Heron will be running two events on the 19th of November at 2pm, Hidden Rooms, and 8pm Arts Picture house.
Links to tickets for these events can be found here;
https://www.cambridgejazzfestival.info/malik-the-o-g-s – “The Revolution Will Be Live!” tickets.
http://skiddle.com/e/13023561 – “Classic Album Sundays” @ Hidden Rooms
Free – “Artists as Activists”
You can keep up to date with the events at Malik’s social network links found below;